Anaconda Targets (2004) digi beta black and white, sound, 12 minutes
Consume (2003) 16mm black and white/color, sound, 10 minutes
Waifen Maiden (2003) 16mm black and white/color, sound, 40 sec
Pixiescope (2003) 16mm black and white/color, sound, 3 minutes
Battle Stations - A Navel Adventure (2001) 16mm black and white, sound, 5.5 minutes
IN THE COURSE OF HUMAN EVENTS (1997) 16mm black and white sound, 23 minutes
LINE OF FIRE (1997) 16mm black and white sound, 8 minutes
PREMONITION (1995) 16mm black and white sound, 10 minutess
DECONSTRUCTION SIGHT (1990) 16mm black and white sound, 14 minutes
CONTINUUM (1987) 16mm black and white silent, 17 minutes
PHONE/FILM PORTRAITS (1985) 16mm black and white sound, 6 minutes
VOYEURISTIC TENDENCIES (1984) 16mm black and white sound, 17 minutes
HIT THE TURNPIKE! (1984) 16mm black and white sound, 3 minutes
HONEYMOON IN RENO (1983) 16mm color sound, 4 minutes
SAMBHOGA-KAYA (1983) 16mm black and white silent, 6 minutes
THE MYSTERY OF LIFE (as discovered in Los Angeles) (1982) 16mm black and white, 4 minutes
I'D RATHER BE IN PARIS (1982) 16mm color/black and white silent 17 minutes
A TICKET HOME (1982) 16mm color sound, 11 minutes
FREEDOM'S SKYWAY (1980) 16mm black and white silent, 3 minutes
SFAI (1980) 16mm black and white sound, 5 minutes
A FILM (1979) 16mm color silent, 3 minutes
NEPTUNIAN SPACE ANGEL (1977) 16mm black and white, 9 minutes
EL TRAIN FILM (1976) 16mm color sound, 5 minutes
SCRATCHES, INC. (1975) 16mm black and white sound, 5 minutes
DELAWARE PARK (1969-73) 16mm black and white sound, 4 minutes
DEMONSTRATION (1968-74) 16mm color silent, 4 minutes
PUTZO (1972) 16mm black and white sound, 10 minutes
10 X 17 (1971) 16mm black and white sound, 20 minutes
FLUSH IT! (1969) 16mm black and white silent, 1 min
In all the film productions Dominic Angerame was the Director, Cameraman, Editor, and Sound Person. The exception to this are the titles Deconstruction Sight, Premonition, and In the Course of Human Events . In these works (part of the "City Symphony") the Sound Design was by Amy Leigh Hunter, and the Sound Compositions were by Martha Miller and Kevin Barnard.
Most films available for sale on videotape.