CINEMOD: Experimental Films of Dominic Angerame
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Dominic
Canyon Cinema
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FILMOGRAPHY

THE FILMS OF DOMINIC ANGERAME
ANACONDA TARGETS (2004) digi beta black and white, sound, 12 minutes

CONSUME (2003) 16mm black and white/color, sound, 10 minutes

WAIFEN MAIDEN (2003) 16mm black and white/color, sound, 40 sec

PIXIESCOPE (2003) 16mm black and white/color, sound, 3 minutes

BATTLE STATIONS - A NAVEL ADVENTURE (2001) 16mm black and white, sound, 5.5 minutes

IN THE COURSE OF HUMAN EVENTS (1997) 16mm black and white sound, 23 minutes

LINE OF FIRE (1997) 16mm black and white sound, 8 minutes

PREMONITION (1995) 16mm black and white sound, 10 minutess

DECONSTRUCTION SIGHT (1990) 16mm black and white sound, 14 minutes

CONTINUUM (1987) 16mm black and white silent, 17 minutes

PHONE/FILM PORTRAITS (1985) 16mm black and white sound, 6 minutes

VOYEURISTIC TENDENCIES (1984) 16mm black and white sound, 17 minutes

HIT THE TURNPIKE! (1984) 16mm black and white sound, 3 minutes

HONEYMOON IN RENO (1983) 16mm color sound, 4 minutes

SAMBHOGA-KAYA (1983) 16mm black and white silent, 6 minutes

THE MYSTERY OF LIFE (as discovered in Los Angeles) (1982) 16mm black and white, 4 minutes

I'D RATHER BE IN PARIS (1982) 16mm color/black and white silent 17 minutes

A TICKET HOME (1982) 16mm color sound, 11 minutes

FREEDOM'S SKYWAY (1980) 16mm black and white silent, 3 minutes

SFAI (1980) 16mm black and white sound, 5 minutes

A FILM (1979) 16mm color silent, 3 minutes

NEPTUNIAN SPACE ANGEL (1977) 16mm black and white, 9 minutes

EL TRAIN FILM (1976) 16mm color sound, 5 minutes

SCRATCHES, INC. (1975) 16mm black and white sound, 5 minutes

DELAWARE PARK (1969-73) 16mm black and white sound, 4 minutes

DEMONSTRATION (1968-74) 16mm color silent, 4 minutes

PUTZO (1972) 16mm black and white sound, 10 minutes

10 X 17 (1971) 16mm black and white sound, 20 minutes

FLUSH IT! (1969) 16mm black and white silent, 1 min

In all the film productions Dominic Angerame  was  the  Director, Cameraman,  Editor, and Sound Person. The exception to this are the titles  Deconstruction Sight, Premonition, and In the Course of Human Events .  In  these works (part of the "City Symphony") the Sound Design was by Amy Leigh  Hunter,  and  the Sound Compositions were by Martha Miller and Kevin Barnard.

Most films available for sale on videotape.


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